
Daylight filtered through leaves. One lamp for after dark, nothing more.
The planting is placed to break the light before it reaches the seating, which is what makes the room read cool. After dark a single floor lamp at 2700K lights the clearing only; the planted edges are left in shadow rather than uplit.

One timber everywhere. Terracotta for the pots, linen for everything soft.
Ash is used for floor, table, frames and joinery so the eye reads a single wood tone and the green sits against one background. Pots are unglazed terracotta and left to weather; nothing is painted anywhere in the plan.

Plant first, furnish second. Seating sits inside the shade, not around the walls.
The four specimens are set before any furniture is placed, and the seating circle is drawn inside their canopy. The result is a room with a middle, which is unusual and is the entire point of this curation.

Undyed linen and paper cord. Loose covers, because leaves drop.
Every soft piece has a removable undyed linen cover, chosen so the room can be maintained rather than protected. Chairs are woven paper cord: light enough to move when the planting is watered.














